The Panda's Thumb links a neat article about "incompetent design". It's a telling satire of Intelligent Design, although I suspect the humor of the former may be lost on the latter! Worthwhile reading.
This passage got me thinking:
One of the reasons I found it interesting, is because it mirrors the Intelligent Design theme that we can detect design in the first place. Can we?
I see no reason to believe design is empirically undetectable. There, I've said it.
Despite my dissatisfaction with the current arguments of intelligent design, I see no reason to doubt the underlying premise, that it is thoretically possible to detect design in nature. In fact, this is a trivial belief for me, since I can certainly distinguish Human artifacts from (for example) trees.
So taking it as axiomatic that one can detect design...what does that mean?
To approach it as an exercise in pattern-matching, let's assume that there is a Design Pattern (designed things match it) and a Natural Pattern (natural things match it). This follows from our axiom, because without some sort of pattern, we could not distinguish between the two classes.
In classic text pattern matching, a pattern matches a sequence of "tokens", until either a token fails to match, or the pattern is satisfied. In textual pattern matching the tokens are alphanumeric sequences, in "design pattern matching", the tokens would be qualities of the object. This list might include variables like weight, height, color, structure, orientation, relation to other objects, purpose, history, etc. The only thing our pattern excludes is a priori knowledge of whether a thing was designed.
Let's further assume these patterns are 100% accurate (we will revisit this later).
The Problem of the Ice Sculpture
As our test case, we will apply our patterns to a highly artificed sculpture. It's a massive piece of work, a complete 1/10 scale model of New York city. By clever use of waterwheels, pistons, and water flows, we even have traffic moving through the streets. We have tiny joggers, walking tiny dogs. It's a marvel of the age.
It's also made completely of ice. Of necessity we built it next to a lake, for easy access to water.
Applying our Natural Pattern seems a patent waste of time, but we do it anyway. Of course, it doesn't match, as no conceivable natural force could create such a thing. We apply our Design Pattern and boom! This is clearly a designed thing. We pat ourselves on the back, and take the night off to celebrate.
The next day we come back, and find a massive lake where our masterpiece once stood. It is a twin to the lake that was there yesterday, down to the trace minerals in the water. It IS the same water, after all.
We apply our Design Pattern to the lake, and it says...
...
...I don't know what it would say. I can't possibly guess, without access to those marvelous Patterns. However, I can see two possibilities:
1) The Design Pattern detects some design in the new lake. For example, the fact that the plants beneath the lake are land plants, and could not have grown under a natural lake. Or the fact that there is no creek which could feed the development of such a lake. Or something.
Here's the problem: While the Pattern may well detect design, it can't possibly detect the design we created. The city is *gone*, and we did not design a lake. The lake was an accident, resulting in an anomaly.
Is an anomaly enough for the Design Pattern to fire? It's certainly true that the Natural Pattern should return a "false" result (the lake is not natural). But was the lake *designed*, and if so by whom? Again - assuming that design requires intent - we did not design a lake.
2) The Design Pattern detects no design in the lake. This would be an unsurprising result if we accept that design is simply information, and information can be lost or destroyed. Another way of looking at this is that a Designer creates information, and our Design Pattern simply picks it up. Not an earthshaking result.
Of course, this is just another way of describing a transmission between a Designer and our Design Pattern, and transmissions are subject to noise. A noisy transmission of Design must result in an imperfect reception of it. Even assuming redundancy in the Design "signal", we can only come arbitrarily close to perfect reception.
I mentioned earlier that I would revision the perfection of our Patterns. Lacking perfect "transmission" of design, we cannot assume perfect reception of it, and our "perfect" Design Pattern cannot be an infallible detector of Design. Even in principle. Just as importantly, every Design we do detect may in fact be a false positive, and the probability of that is proportional the the "noise" of the transmission, and inversely proportional to it's "redundancy".
On the other hand, I can see no such restriction on our Natural Pattern.
Well, my head hurts, so I'm going to wrap this up for now. To recap:
1) I do not believe the detection of an anomaly is equivalent to the detection of design. Note that in our example, the "anomalous" lake could have been the result of an icy meteor falling.
2) I do not believe that every appearance of design can be certainly classified as such. Certainly some can, those with a short transmission path (i.e. recent) or high redundancy (i.e. obvious). Assigning a high probability to the detection of ancient, non-human design, is fraught with peril.
I've made some leaps of logic in that last paragraph, but I'll deal with them tomorrow...
This passage got me thinking:
Wise cites serious flaws in the systems of the human body as evidence that design in the universe exhibits not an obvious source of, but a sore lack of, intelligence.
One of the reasons I found it interesting, is because it mirrors the Intelligent Design theme that we can detect design in the first place. Can we?
I see no reason to believe design is empirically undetectable. There, I've said it.
Despite my dissatisfaction with the current arguments of intelligent design, I see no reason to doubt the underlying premise, that it is thoretically possible to detect design in nature. In fact, this is a trivial belief for me, since I can certainly distinguish Human artifacts from (for example) trees.
So taking it as axiomatic that one can detect design...what does that mean?
To approach it as an exercise in pattern-matching, let's assume that there is a Design Pattern (designed things match it) and a Natural Pattern (natural things match it). This follows from our axiom, because without some sort of pattern, we could not distinguish between the two classes.
In classic text pattern matching, a pattern matches a sequence of "tokens", until either a token fails to match, or the pattern is satisfied. In textual pattern matching the tokens are alphanumeric sequences, in "design pattern matching", the tokens would be qualities of the object. This list might include variables like weight, height, color, structure, orientation, relation to other objects, purpose, history, etc. The only thing our pattern excludes is a priori knowledge of whether a thing was designed.
Let's further assume these patterns are 100% accurate (we will revisit this later).
The Problem of the Ice Sculpture
As our test case, we will apply our patterns to a highly artificed sculpture. It's a massive piece of work, a complete 1/10 scale model of New York city. By clever use of waterwheels, pistons, and water flows, we even have traffic moving through the streets. We have tiny joggers, walking tiny dogs. It's a marvel of the age.
It's also made completely of ice. Of necessity we built it next to a lake, for easy access to water.
Applying our Natural Pattern seems a patent waste of time, but we do it anyway. Of course, it doesn't match, as no conceivable natural force could create such a thing. We apply our Design Pattern and boom! This is clearly a designed thing. We pat ourselves on the back, and take the night off to celebrate.
The next day we come back, and find a massive lake where our masterpiece once stood. It is a twin to the lake that was there yesterday, down to the trace minerals in the water. It IS the same water, after all.
We apply our Design Pattern to the lake, and it says...
...
...I don't know what it would say. I can't possibly guess, without access to those marvelous Patterns. However, I can see two possibilities:
1) The Design Pattern detects some design in the new lake. For example, the fact that the plants beneath the lake are land plants, and could not have grown under a natural lake. Or the fact that there is no creek which could feed the development of such a lake. Or something.
Here's the problem: While the Pattern may well detect design, it can't possibly detect the design we created. The city is *gone*, and we did not design a lake. The lake was an accident, resulting in an anomaly.
Is an anomaly enough for the Design Pattern to fire? It's certainly true that the Natural Pattern should return a "false" result (the lake is not natural). But was the lake *designed*, and if so by whom? Again - assuming that design requires intent - we did not design a lake.
2) The Design Pattern detects no design in the lake. This would be an unsurprising result if we accept that design is simply information, and information can be lost or destroyed. Another way of looking at this is that a Designer creates information, and our Design Pattern simply picks it up. Not an earthshaking result.
Of course, this is just another way of describing a transmission between a Designer and our Design Pattern, and transmissions are subject to noise. A noisy transmission of Design must result in an imperfect reception of it. Even assuming redundancy in the Design "signal", we can only come arbitrarily close to perfect reception.
I mentioned earlier that I would revision the perfection of our Patterns. Lacking perfect "transmission" of design, we cannot assume perfect reception of it, and our "perfect" Design Pattern cannot be an infallible detector of Design. Even in principle. Just as importantly, every Design we do detect may in fact be a false positive, and the probability of that is proportional the the "noise" of the transmission, and inversely proportional to it's "redundancy".
On the other hand, I can see no such restriction on our Natural Pattern.
Well, my head hurts, so I'm going to wrap this up for now. To recap:
1) I do not believe the detection of an anomaly is equivalent to the detection of design. Note that in our example, the "anomalous" lake could have been the result of an icy meteor falling.
2) I do not believe that every appearance of design can be certainly classified as such. Certainly some can, those with a short transmission path (i.e. recent) or high redundancy (i.e. obvious). Assigning a high probability to the detection of ancient, non-human design, is fraught with peril.
I've made some leaps of logic in that last paragraph, but I'll deal with them tomorrow...
